Friday, January 23 ~ Me and Bobby McGee: feeling good's easy...
Here's a new, home-cooked, video of Canadian musician Allison Crowe performing live in concert "Me and Bobby McGee", the Fred Foster, Kris Kristofferson song recorded famously by Janis Joplin.
Images are from
Billie Woods, the terrifically talented photographer
who regularly tours Europe with Crowe. These pics are
from such locations as Frankfurt and Siegen, Germany and
Durness, Scotland where Allison Crowe headlined the 'Northern
Lights Festival', a benefit for the John Lennon
Memorial Garden bedded in the Scottish Highlands.
As with her other interpretations, Allison Crowe doesn't
mimic the sound or style of another artist. Instead, she
covers songs in her own voice.
"Allison Crowe is the best thing to
happen to 'Me And Bobby McGee' since Janis
Joplin changed Kristofferson’s lyrics" says Allan
Showalter. Showalter's entertainingly erudite "pastiche
of a blog"
1
Heck of a Guy notes:
"Of course, the credentials that matter most are her
performances. If you haven't heard her powerful yet not
strident version of 'Hallelujah'...
I urge you to do so now. Then, for something completely
different, listen to her take on Ronnie Shannon's 'I
Never Loved A Man (The Way I Love You)', which
is (forgive me, Aretha) the best I've heard.
" 'Me and Bobby McGee,' the song authored by
Kris Kristofferson and popularized by Janis Joplin
(although Roger Miller's version was the first to rank
as a hit), is not one of my favorites, but it is useful
as an example of Allison Crowe's skills, in part because
most readers of this blog have, I suspect, heard it sung
by at least a couple of performers.
"Also noteworthy, however, is the choice of this
song itself. If Allison had asked me to select 100
possible covers for her to play in a concert, a real
concert with a fancy piano set in the converted church
chapel of the Conservatory of Music in Victoria, British
Columbia, a concert that would become the album, Allison
Crowe Live At Wood Hall (with album art...
radiating dangerous levels of wholesomeness), 'Me
and Bobby McGee would not have been on my list. Nor
would it have been on my Possible Allison Crowe Covers
#101-200″ list, nor the #201 to 300″ list. Me and
Bobby McGee is a Kristofferson-Joplin-Mille
"Until she sings it.
"Although Allison introduces over a dozen significant
adaptations to 'Me and Bobby McGee,' I'll point
out only one nuance. Listen to her inflected
pronunciation of 'Baton Rouge' in the first line,
'Busted flat in Baton Rouge, waitin' for a train.' It
makes this version of the song her own from that point,
giving the song a richer, more complex flavor than those
rendered in flat Midwestern intonations. Yet, performed
the same way by almost anyone else, the same tactic
would come off as too precious by half."
Hey, hey, hey, I said...